I’ll certainly second the comment on dynamic range, though. It’s very hard to get the volume set to easy listening in the conversational parts of the show and not have the speakers crying out in pain during the blasts of raucous laughter. In addition, Tina seems to be consistently miked higher than Brendon, so that when the volume allows me to hang on Brendon’s every word, Tina’s otherwise pleasant and professional voice blasts too loudly. A little work needed at the mixing console, perhaps… just fine tuning … the shows are great.